Sky and Lens By Chris Gulker The recent rainy spell we've had left a glorious sky this morning as I headed in to work. When I was still lugging a Nikon around Los Angeles for a living, the few clear glorious winter days would inspire me. I'd hurry out of whatever press conference or other event a Herald Examiner editor had deemed worthy to cover and head for a few 'secret' vantage points. Out would come my cherished Leica 21mm wide-angle and its red filter (sample photo, here). It's been a week since the Kaidan lenses for the QuickTake showed up. Kaidan makes a wide angle lens adaptor and a close-up lens holder for the Apple QuickTake 100. The Kaidan lenses address the biggest problems with the Quicktake - the fixed "normal" angle of view and the fixed focus set somewhere around 8 feet. John Hubbard's Voigtlander Bessa proved a worthy subject for the Kaidan/QuickTake close-up lenses. I put it on a table near the kitchen window late in the day - the sun was low, the light was warm (what they call 'golden light' in Hollywood). I won't make too much of using a 90s digital camera to take a picture of a 30's film camera, except to note (1) how similar the cameras are - they share a lens and shutter arrangement; (2) that the Voigtlander is capable of capturing much finer detail than the QuickTake. Next subject is also a camera: the Connectix QuickCam which sits atop my Mac and takes a picture of its environment every 15 minutes (see the current picture, here). On the one hand the QuickCam is quite limited as a still camera - it's a NTSC video camera that produces a 4-bit grayscale image running on a Mac serial port. On the other hand, you can do full-motion video for $98, and rig up fun (if useless) exercises like the gulker-cam. The Connectix and even the QuickTake cameras are simple cameras, high-tech features aside. I learned the hard way that simple tools are not bad tools. As a younger man I was a confirmed equipment junkie, who just knew that a Nikon or Hasselblad were the answer to great photos. As I matured and saw great pictures, and great photographers , I began to realize that art and talent exist independently of expensive cameras. Not that a Nikon isn't a great tool: it is! Sharp lenses are a great tool, and so are shutters that don't break. Nevertheless greater pictures have been taken with lesser equipment. It is all a matter of putting the tool to its best use.